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The restored Star Trek Enterprise-D bridge goes on display in May

A recreation of the Star Trek The Next Generation Enterprise-D bridge

Enlarge / The Enterprise-D bridge recreation, seen in London in 2002. (credit: Peter Bischoff/Getty Images)

More than a decade has gone by since three Star Trek: The Next Generation fans first decided to restore the bridge from the Enterprise-D. Plans for the restored bridge morphed from opening it up to non-commercial uses like weddings or educational events into a fully fledged museum, and now that museum is almost ready to open. Backers of the project on Kickstarter have been notified that Sci-Fi World Museum will open to them in Santa Monica, California, on May 27, with general admission beginning in June.

It's not actually the original set from TNG, as that was destroyed while filming Star Trek: Generations, when the saucer section crash-lands on Veridian III. But three replicas were made, overseen by Michael Okuda and Herman Zimmerman, the show's set designers. Two of those welcomed Trekkies at Star Trek: The Experience, an attraction in Las Vegas until it closed in 2008.

The third spent time in Hollywood, then traveled to Europe and Asia for Star Trek: World Tour before it ended up languishing in a warehouse in Long Beach. It's this third globe-trotting Enterprise-D bridge that—like the grit that gets an oyster to create a pearl—now finds a science-fiction museum accreted around it. Well, mostly—the chairs used by Riker, Troi, Data, and some other bits were salvaged from the Las Vegas exhibit.

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Choose your side in a civil war with House of the Dragon’s dueling S2 trailers

This short teaser for S2 of HBO's House of the Dragon lets you choose between two full trailers.

It's been a long wait for the second season of HBO's House of the Dragon, in which House Targaryen descends into civil war over the heir to the Iron Throne. It's set to premiere in June, and HBO is ramping up its marketing with a rather clever twist: not one official trailer, but two, each presenting the perspective of one side in the bloody conflict. And we get to choose which trailer we'd like to view—although if you're like us, you'll elect to watch both.

(Spoilers for the first season below.)

As I've written previously, HBO's House of the Dragon debuted in 2022 with a solid, promising pilot episode, and the remainder of the season lived up to that initial promise. The series is set nearly 200 years before the events of Game of Thrones and chronicles the beginning of the end of House Targaryen's reign. The primary source material is Fire and Blood, a fictional history of the Targaryen kings written by George R.R. Martin. As book readers know, those events culminated in a civil war and the extinction of the dragons—at least until Daenerys Targaryen came along.

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Alien: Romulus teaser has all the right elements to pique our interest

The long-standing science fiction franchise looks to be returning to its horror roots with Alien: Romulus.

We learned way back in 2019 that horror director Fede Alvarez (Don't Breathe, Evil Dead) would be tackling a new standalone film in the Alien franchise. Personally, I had mixed feelings on the heels of the disappointing Prometheus (2012) and Alien: Covenant (2017). But the involvement of Alvarez was a hint that perhaps the franchise was returning to its stripped-down space horror roots. Now we have the first teaser for Alien: Romulus, and yep—that seems to be the case. And that's very good news for those of us who adored the original Alien (1979) and its terrifying sequel, Aliens (1986).

(Spoilers for Alien and Aliens below.)

Alien: Romulus is set between the events of Alien and Aliens. That is, after Ellen Ripley, the sole survivor of the Nostromo, destroyed the killer Xenomorph and launched herself into space in the ship's lifeboat—along with the ginger cat, Jonesy—and before she woke up after 57 years in hypersleep and battled more Xenomorphs while protecting the young orphan, Newt. Per the official premise: "While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe."

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We’ve got a new trailer for Furiosa: A Mad Max Saga. Verdict: Not mediocre

Check out the latest trailer for Furiosa: A Mad Max Saga, starring Anya Taylor-Joy.

We got the first trailer for the spinoff prequel film Furiosa: A Mad Max Saga in December, starring Anya Taylor-Joy as the younger incarnation of the character immortalized by Charlize Theron in Mad Max: Fury Road. We're now just a couple of months away from the film's much-anticipated release—i.e., the perfect time to drop a second trailer to keep that anticipation high.

(Spoilers for Fury Road below.)

As previously reported, we met Furiosa early on in Fury Road, working logistics for Immortan Joe (the late Hugh Keays-Byrne), who charged her with ferrying oil from Gas Town to his Citadel with the help of a small crew of War Boys and one of the war rigs—basically tractor trailer trucks souped up with armor and novel weaponry. Furiosa stole the war rig instead, taking Joe's five wives with her.

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Darkness rises in an age of light in first trailer for Star Wars: The Acolyte

Amandla Stenberg stars as a former padawan turned dangerous warrior in Star Wars: The Acolyte.

A long time ago, in a galaxy far, far away, the Galactic Republic and its Jedi masters symbolized the epitome of enlightenment and peace. Then came the inevitable downfall and outbreak of war as the Sith, who embraced the Dark Side of the Force, came to power. Star Wars: The Acolyte is a forthcoming new series on Disney+ that will explore those final days of the Republic as the seeds of its destruction were sown—and the streaming platform just dropped the first trailer.

The eight-episode series was created by Leslye Headland, who co-created Russian Doll with Natasha Lyonne and Amy Poehler. It's set at the end of the High Republic Era, about a century before the events of The Phantom Menace. Apparently Headland rather cheekily pitched The Acolyte as "Frozen meets Kill Bill," which is an intriguing combination. She drew on wuxia martial arts films for inspiration, much like George Lucas was originally inspired by Westerns and the samurai films of Akira Kurosawa.

(Some spoilers for the prequel trilogy below.)

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Bill Skarsgård takes revenge from beyond the grave in The Crow trailer

Bill Skarsgård takes on the role of Eric Draven in the Lionsgate reboot of The Crow.

The 1994 cult classic film The Crow turns 30 this spring, so it's as good a time as any to drop the first trailer for the long-in-development reboot directed by Rupert Sanders (Snow White and the Huntsman, Ghost in the Shell). Bill Skarsgård takes on the starring role made famous by the late Brandon Lee.

(Spoilers for the original 1994 film below.)

Based on a 1989 limited comic series by James O'Barr, The Crow was directed by Alex Proyas. The film starred Brandon Lee as Eric Draven, a rock musician in crime-ridden Detroit. He and his fiancée, Shelly Webster (Sofia Shinas), are brutally murdered on Devil's Night by a gang of thugs on the orders of a crime boss named Top Dollar (Michael Wincott). A year later, Eric is resurrected, dons black-and-white face paint, and proceeds to take his bloody revenge before returning to his grave. Alas, Lee was accidentally killed by a prop gun during the final days of shooting; the film was completed with the help of Lee's stunt double (Chad Stahelski, who launched the John Wick franchise) and some clever special effects.

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Some states are now trying to ban lab-grown meat

tanks for growing cell-cultivated chicken

Enlarge / Cell-cultivated chicken is made in the pictured tanks at the Eat Just office on July 27, 2023, in Alameda, Calif. (credit: Justin Sullivan/Getty Images)

Months in jail and thousands of dollars in fines and legal fees—those are the consequences Alabamians and Arizonans could soon face for selling cell-cultured meat products that could cut into the profits of ranchers, farmers, and meatpackers in each state.

State legislators from Florida to Arizona are seeking to ban meat grown from animal cells in labs, citing a “war on our ranching” and a need to protect the agriculture industry from efforts to reduce the consumption of animal protein, thereby reducing the high volume of climate-warming methane emissions the sector emits.

Agriculture accounts for about 11 percent of the country’s greenhouse gas emissions, according to federal data, with livestock such as cattle making up a quarter of those emissions, predominantly from their burps, which release methane—a potent greenhouse gas that’s roughly 80 times more effective at warming the atmosphere than carbon dioxide over 20 years. Globally, agriculture accounts for about 37 percent of methane emissions.

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Ghouls, gulpers, and general mayhem abound in Fallout official trailer

A Vault Dweller navigates a post-apocalyptic wasteland in Fallout, based on the bestselling gaming franchise.

Amazon Prime Video has dropped the full official trailer for Fallout, the streaming platform's forthcoming post-apocalyptic sci-fi series. It's based on the bestselling role-playing gaming franchise set in a satirical, 1950s-style future post-nuclear apocalypse. There's plenty for gaming fans to be pleased about, judging by the trailer, but casting national treasure Walton Goggins (Justified) as a gunslinging Ghoul was quite simply a stroke of genius.

The first Fallout RPG was released in 1997, followed by several sequels and spinoffs. According to the game's lore, modern civilization is destroyed in 2077 by a global nuclear war between the US and China. Survivors live in various underground vaults (fallout shelters). Each iteration of the game takes place somewhere across a post-apocalyptic US metro area and features a Vault Dweller—someone born and raised underground—as the protagonist. The first game takes place in 2161 and features a Vault Dweller from Vault 13, deep in the mountains of Southern California. The Vault Dweller must complete various missions to save the residents of Vault 13, which takes said protagonist to in-world places like Junktown; a merchant city called the Hub; and Necropolis, filled with Ghouls, i.e., humans badly mutated by exposure to nuclear radiation.

The series was announced in July 2020, with Westworld writers Jonathan Nolan and Lisa Joy serving as executive producers. In January 2022, it was revealed that Nolan would direct the first three episodes but that two other writers—Geneva Robertson-Dworet and Graham Wagner—would be the showrunners. Todd Howard, who directed several games in the franchise, is also an executive producer and has said the series is not an adaptation of any particular game, but it is set within the same continuity. Per the official premise:

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Rooster Teeth, home of Red Vs. Blue and RWBY, shutting down after 21 years

Halo-helmeted greeter at RTX festival

Enlarge / Near the height of its powers in 2018, Rooster Teeth's annual RTX conference was drawing more than 62,000 people to Austin, Texas, each year. (credit: Nathan Mattise)

Rooster Teeth, a studio that pioneered machinima with its Red vs. Blue series and went on to develop a fandom-focused stable of shows, videos, and podcasts, is being shut down by parent company Warner Bros. Discovery.

Warner Bros. Discovery (WBD) was unsuccessful in trying to sell the company as a whole, according to a company memo obtained by Variety (and later published on Rooster Teeth’s site). Rooster Teeth's general manager pinned the closure on "challenges facing digital media resulting from fundamental shifts in consumer behavior and monetization across platforms, advertising, and patronage."

WBD is still looking to sell certain Rooster Teeth series' backlogs and rights, including RWBY, Red vs. Blue, and Gen:Lock, an animated mecha series backed by actor Michael B. Jordan. WBD is also looking to offload the company's Roost podcast network.

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What makes an orange? New study finds one gene, seven chemicals

image of slices of various citrus fruit, showing range of colors and sizes.

Enlarge (credit: Tanja Ivanova)

In the US, for orange juice to be labeled as such, it must be 90 percent sweet orange, or Citrus sinensis. Thus, citrus producers in the US have long planted 90 percent Citrus sinensis. But this cultivar is extremely susceptible to the bacteria that causes citrus greening disease, which has devastated the near-monocultural Florida crop. There is as yet no way to control the disease; the most effective way to deal with it would be to find citrus cultivars that are resistant to it and breed them with sweet orange to grant them disease resistance.

Sweet oranges are a hybrid of mandarin and pomelo and are not especially genetically diverse. Any disease-resistant citrus we know of, however, does not taste like sweet orange, so breeding with it will produce fruit and juice with off flavors. It has been difficult to define and quantify those off flavors, though, because it has been difficult to define and quantify the components essential for proper orange flavor.

Now, researchers at the USDA Agricultural Research Service performed a comprehensive chemical evaluation of 179 different citrus combinations—oranges, mandarins, and assorted hybrids—and cross-referenced their chemical compositions with evaluations of orange and mandarin flavors in juice samples performed by a “trained panel.”

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The people of Earth prepare for war in final trailer for 3 Body Problem

Netflix's new sci-fi series 3 Body Problem makes its world premiere tonight at the SXSW Film & Television festival in Austin.

The countdown continues for the hotly anticipated debut of 3 Body Problem, Netflix's eight-episode sci-fi series adapted from the award-winning novel The Three-Body Problem by Liu Cixin, the first book in his Remembrance of Earth's Past trilogy. Those attending the SXSW Film & Television Festival in Austin will get to see the series' world premiere tonight. The rest of us have to wait until later this month, but in the meantime, the streaming platform has released a final trailer.

(Some spoilers for the novel below.)

The 3-Body Problem's narrative is told in a nonlinear fashion, jumping between a young astrophysicist, Ye Wenjie, who witnesses her father being beaten to death by Red Guards during the Cultural Revolution, and Ye's return to Tsinghua University as an established professor many years later. During the earlier timeline, Ye figures out a means of sending an interstellar message to possible extraterrestrial civilizations and receives a response from a planet called Trisolaris. (As its name implies, the planet has three suns, which wreak havoc on Trisolaris via unpredictable "chaotic periods"—hence the novel's title, which refers to a classic problem in celestial mechanics.) Despite being warned that the aliens intend to invade and conquer Earth, Ye responds to the message and invites them to do so, disillusioned by the state of the world.

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Apple orders 10 episodes of a Neuromancer TV series

An illustration of a face made of wires with goggles that say

Enlarge / A cover image for Neuromancer included in Apple's press release. (credit: Apple)

It's been a long time coming: A TV series adapted from the famed William Gibson novel Neuromancer will air on Apple TV+. The streamer ordered 10 episodes.

The order comes after decades of failed attempts to greenlight a screen adaptation of the 1984 science fiction novel. The most recent widely known failed attempt was by Deadpool director Tim Miller in 2017.

The series will be helmed by showrunner, writer, and producer Graham Roland, who until now was best known as the creator of the AMC TV series Dark Winds and for helming the series Tom Clancy's Jack Ryan on Amazon Prime Video. Roland will share a co-creator credit on Neuromancer with J.D. Dillard, a TV writer known for his work on the recent Twilight Zone reboot series.

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Plucky crew of Star Trek: Discovery seeks a strange artifact in S5 trailer

Star Trek: Discovery returns for its fifth and final season after a two-year hiatus.

It's been two years since we had new episodes of Star Trek: Discovery, which debuted in 2017. Now Paramount+ has dropped the official trailer for the fifth and final season of the spinoff series.

(Spoilers for prior seasons below.)

As previously reported, Sonequa Martin-Green plays Michael Burnham, an orphaned human raised on the planet Vulcan by none other than Sarek (James Frain) and his human wife, Amanda Grayson (Mia Kirshner)—aka, Spock's (Ethan Peck) parents. So, she is Spock's adoptive sister. As I've written previously, the S2 season-long arc involved the mysterious appearances of a "Red Angel" and a rogue Starfleet AI called Control that sought to wipe out all sentient life in the universe.

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Cate Blanchett nails the outlaw look as Lilith in Borderlands official trailer

Cate Blanchett stars as an infamous outlaw named Lilith in director Eli Roth's Borderlands, adapted from the popular gaming franchise.

The Borderlands video game franchise is one of the bestselling of all time, racking up more than $1 billion globally in sales over all the titles in the series. So naturally, there would be a film adaptation: the forthcoming Borderlands, directed by Eli Roth (Cabin Fever, The House with a Clock in its Walls). Lionsgate just dropped the official trailer, and Roth has certainly captured the trademark cel-shaded look of the film—especially Cate Blanchett's fluorescent-haired outlaw.

The Borderlands games all take place on a planet called Pandora, home to many dangerous lifeforms as well as bandits and raiders—former prisoners of corporations that previously tried to colonize the planet, believing there were precious minerals to be mined. Pandora's long-extinct race, called the Eridians, also left behind numerous alien artifacts, which eventually led to the discovery that there are various mythical vaults purportedly filled with treasure and guarded by ancient monsters. Along with corporate and military interests, there are renegade Vault Hunters who seek to claim the hidden treasures for themselves.

It might feel like Borderlands the film has been in development forever. Lionsgate announced the adaptation in 2015 and initially considered Leigh Whannell (The Invisible Man) to direct. The script went through multiple revisions by several different writers, and Roth was hired as director in February 2020. Primary filming took place in Budapest, Hungary, in 2021, mid-pandemic, with reshoots occurring early in 2023. Tim Miller (Terminator: Dark Fate) directed the reshoots with Roth's blessing since, by then, the latter was already working on another film (2023's Thanksgiving). Initial first-look images were released in June 2021, although those were just black-and-white silhouettes of the cast.

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Will Smith parodies viral AI-generated video by actually eating spaghetti

The real Will Smith eating spaghetti, parodying an AI-generated video from 2023.

Enlarge / The real Will Smith eating spaghetti, parodying an AI-generated video from 2023. (credit: Will Smith / Getty Images / Benj Edwards)

On Monday, Will Smith posted a video on his official Instagram feed that parodied an AI-generated video of the actor eating spaghetti that went viral last year. With the recent announcement of OpenAI's Sora video synthesis model, many people have noted the dramatic jump in AI-video quality over the past year compared to the infamous spaghetti video. Smith's new video plays on that comparison by showing the actual actor eating spaghetti in a comical fashion and claiming that it is AI-generated.

Captioned "This is getting out of hand!", the Instagram video uses a split screen layout to show the original AI-generated spaghetti video created by a Reddit user named "chaindrop" in March 2023 on the top, labeled with the subtitle "AI Video 1 year ago." Below that, in a box titled "AI Video Now," the real Smith shows 11 video segments of himself actually eating spaghetti by slurping it up while shaking his head, pouring it into his mouth with his fingers, and even nibbling on a friend's hair. 2006's Snap Yo Fingers by Lil Jon plays in the background.

In the Instagram comments section, some people expressed confusion about the new (non-AI) video, saying, "I'm still in doubt if second video was also made by AI or not." In a reply, someone else wrote, "Boomers are gonna loose [sic] this one. Second one is clearly him making a joke but I wouldn’t doubt it in a couple months time it will get like that."

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Kong gets some “minor augmentations” in latest Godzilla x Kong trailer

There's a new trailer for Godzilla x Kong: The New Empire, coming to theaters next month.

Warner Bros. has released a new trailer for Godzilla x Kong: The New Empire, directed by Adam Wingard. It's the fifth feature film in the rebooted franchise, which also includes the animated series Skull Island and Apple TV+'s Monarch: Legacy of Monsters.

(Spoilers for Godzilla vs. Kong below.)

As previously reported, Godzilla x Kong picks up sometime after its 2021 predecessor. Godzilla vs. Kong showcased not only a major showdown between its titular titans—in which Godzilla emerged the victor—but also the two teaming up in the climactic finale to take out Mechagodzilla, a telepathically controlled creature with the severed head of Ghidorah. Ghidorah's consciousness took over when Mechagodzilla was activated, and it took both Kong and Godzilla (plus some timely help from humans) to defeat him. (Kong got the final honors, although Godzilla charged the killing ax—made from one of his dorsal plates—with his atomic breath.)

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Lawsuit against Prime Video ads shows perils of annual streaming subscriptions

Priyanka CHopra (left) and Richard Madden (right) in the AMazon Prime Video original series Citadel.

Enlarge / Priyanka Chopra (left) and Richard Madden (right) in the Prime Video original series Citadel. (credit: Prime Video/YouTube)

Streaming services like Amazon Prime Video promote annual subscriptions as a way to save money. But long-term commitments to streaming companies that are in the throes of trying to determine how to maintain or achieve growth typically end up biting subscribers in the butt—and they're getting fed up.

As first reported by The Hollywood Reporter, a lawsuit seeking class-action certification [PDF] hit Amazon on February 9. The complaint centers on Amazon showing ads with Prime Video streams, which it started doing for US subscribers in January unless customers paid an extra $2.99/month. This approach differed from how other streaming services previously introduced ads: by launching a new subscription plan with ads and lower prices and encouraging subscribers to switch.

A problem with this approach, though, as per the lawsuit, is that it meant that people who signed up for an annual subscription to Prime Video before Amazon’s September 2023 announcement about ads already paid for a service that’s different from what they expected.

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A new generation of storm chasers takes on Mother Nature in Twisters trailer

Daisy Edgar-Jones, Anthony Ramos, and Glen Powell star in Twisters, a standalone film inspired by the 1996 classic.

Like so many others, I adored the 1996 film Twister, now a classic in the "disaster porn" genre and still in frequent weekend and holiday rotation on broadcast and cable networks nearly 30 years later. We're finally getting a follow-up with Twisters, directed by Lee Isaac Chung (Minari). Universal Pictures dropped the official trailer during the Super Bowl on Sunday.

(Some spoilers for the original film below.)

Twister rocked the 1996 box office, racking up $495 million worldwide and snagging an Oscar nomination for special effects. Critics' reactions were more mixed. The film earned well-deserved praise for its special effects and sheer entertainment value.  Who can forget the flying cows, the jaw-dropping CGI twisters, and that classic scene when a tornado suddenly rips through a drive-in movie screen in the middle of The Shining? But others criticized the thin character development and dismissed the film as "loud," "dumb," and "a triumph of technology over storytelling and the actor's craft."

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Prime Video cuts Dolby Vision, Atmos support from ad tier—and didn’t tell subs

High King Gil-galad and Elrond in The Lord of the Rings: The Rings of Power

Enlarge / The Rings of Power... now in HDR10+ for ad-tier users. (credit: Prime Video)

On January 29, Amazon started showing ads to Prime Video subscribers in the US unless they pay an additional $2.99 per month. But this wasn't the only change to the service. Those who don't pay up also lose features; their accounts no longer support Dolby Vision or Dolby Atmos.

As noticed by German tech outlet 4K Filme on Sunday, Prime Video users who choose to sit through ads can no longer use Dolby Vision or Atmos while streaming. Ad-tier subscribers are limited to HDR10+ and Dolby Digital 5.1.

4K Filme confirmed that this was the case on TVs from both LG and Sony; Forbes also confirmed the news using a TCL TV.

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Wade Wilson is kidnapped by the TVA in Deadpool and Wolverine teaser

Wade Wilson (Ryan Reynolds), aka Deadpool, is back to save the MCU: "I am Marvel Jesus."

After some rather lackluster performances at the box office over the last year or so, Marvel Studios has scaled back its MCU offerings for 2024. We're getting just one: Deadpool and Wolverine. Maybe one is all we need. Marvel released a two-minute teaser during yesterday's Super Bowl. And if this is the future of the MCU, count us in. The teaser has already racked up more than 12 million views on YouTube, and deservedly so. It has the cheeky irreverence that made audiences embrace Ryan Reynold's R-rated superhero in the first place, plus a glimpse of Hugh Jackman's Wolverine—or rather, his distinctive shadow. And yes, Marvel is retaining that R rating—a big step given that all the prior MCU films have been resoundingly PG-13.

(Some spoilers for the first two films below.)

Reynolds famously made his first foray into big-screen superhero movies in 2011's The Green Lantern, which was a box office disappointment and not especially good. But he found the perfect fit with 2016's Deadpool, starring as Wade Wilson, a former Canadian special forces operative (dishonorably discharged) who develops regenerative healing powers that heal his cancer but leave him permanently disfigured with scars all over his body. Wade decides to become a masked vigilante, turning down an invitation to join the X-Men and abandon his bad-boy ways.

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Sony is erasing digital libraries that were supposed to be accessible “forever”

one piece

A shot from One Piece, one of the animes that Funimation made DVDs for. (credit: Crunchyroll: Inside Anime/YouTube)

How long is “forever”? When it comes to digital media, forever could be as close as a couple of months away.

Funimation, a Sony-owned streaming service for anime, recently announced that subscribers' digital libraries on the platform will be unavailable after April 2. For years, Funimation had been telling subscribers that they could keep streaming these digital copies of purchased movies and shows, but qualifying it: “forever, but there are some restrictions.”

Funimation’s parent company, Sony, bought rival anime streaming service Crunchyroll in 2021. Since then, it was suspected that Sony would merge the offerings together somehow. This week, we learned how, as Funimation announced that its app and website would close on April 2, and Funimation accounts will become Crunchyroll accounts. Most of Funimation’s catalog is already on Crunchyroll, Funimation’s announcement claimed.

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Plex, where people typically avoid Hollywood fees, now offers movie rentals

Movie rental offerings on Plex platform

Enlarge / Because sometimes your friend Tim, the one with all the legal media, is having server issues, but it's movie night and the popcorn is already made. (credit: Plex)

Plex, the media center largely known as a hub for TV and movies that you and your friends obtained one way or another, now lets you pay for movie rentals. It's both a convenient way to watch movies without having to hunt across multiple services, and yet another shift by Plex to be closer to the mainstream.

Plex's first set of available films is more than 1,000 titles, with some notable recent-run offerings: Barbie, Aquaman and the Lost Kingdom, Mission: Impossible - Dead Reckoning, Wonka, PAW Patrol: The Mighty Movie, and so forth. As is typical of digital rentals, you have 30 days to start watching a movie and then 48 hours to finish it.

Prices at the moment range from $3.99 to $5.99. Conveniently, movies you rent on one platform can be played on any other. Even on Apple devices, or, as Plex puts it, "devices that don't allow direct rentals on their platform." Rentals are only available in the US, however.

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Shhhh! A Quiet Place: Day One trailer is anything but quiet

Lupita Nyong'o stars as Sam in A Quiet Place: Day One.

The 2018 post-apocalyptic horror film A Quiet Place deservedly won critical raves and an Oscar for sound editing. Sound, and often the absence thereof, was used to build suspense and create extremely effective jump scares. The 2021 sequel followed the same basic rules. So it's a bit jarring that the official trailer for the new spinoff film, A Quiet Place: Day One, is rife with the sounds of New York City streets. It's written and directed by Michael Sarnoski, who co-wrote the original film with John Krasinski.

(Spoilers below for the first two films.)

As I've written previously, A Quiet Place had a simple premise: in early 2020, sightless extraterrestrial creatures wiped out most of the humans and animals on Earth. They hunt by sound thanks to their hypersensitive hearing and are difficult to kill because they sport tough armored skin. The film centered on the Abbott family, struggling to survive a few months after the initial invasion. Dad Lee (John Krasinski) was an engineer focused on keeping his family alive each day. Wife Evelyn (Emily Blunt) was a doctor, pregnant with their fourth child.

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New streaming app from Fox, Disney, WBD is about more than sports

Gleyber Torres, Aaron Judge, and Didi Gregorious playing for the Yankees in 2019.

Enlarge / Gleyber Torres, Aaron Judge, and Didi Gregorius playing for the Yankees in 2019, when Yankees games were easier to track down.

Disney, Warner Bros. Discovery (WBD), and Fox plan to launch an app together this fall, the companies announced Tuesday. The unnamed app will unite the sports offerings of the three media conglomerates, including their reported 85 percent ownership of US sports rights. The app could simplify things for sports fans while signaling a bundled future for streaming services—which could ultimately prove good or bad for subscribers.

The new app will give subscribers access to ESPN+ and various linear channels that show live sports, including ABC, Fox, TNT, TBS, truTV, ESPN, ESPN2, ESPNU, ESPNEWS, FS1, FS2, SECN, ACCN, and BTN. The companies' announcement promised access to "thousands of events" through the app, including from the NFL, NBA, WNBA, MLB, and NHL, as well as PGA, Wimbledon, UFC, and Formula 1 events, the UCI Mountain Bike World Cup, the FIFA World Cup, and college sports. An anonymous person "familiar with the matter" told Variety that the app won't make original content.

People will be able to bundle the sports app with Disney-owned streaming services Disney+ and Hulu, as well as with WBD's Max streaming app. The upcoming app will particularly target "those outside of the traditional pay TV bundle," the announcement said.

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AI can now master your music—and it does shockingly well

AI can now master your music—and it does shockingly well

Enlarge (credit: Aurich Lawson | Getty Images)

It was just a stray remark at the end of a guitar lesson last fall.

My teacher is a veteran musician whose band has had both major label and indie record deals, and he loves the analog, the human, the vintage, the imperfect. So it didn't surprise me to learn that he still likes to mix tracks with an old analog board or that he has a long-time "mastering guy" who finalizes the band's albums.

What did surprise me was the comment that he had for some time been testing LANDR, the online music service that offers AI-powered mastering. Pay a monthly fee, upload a well-mixed track, and in a minute, the system spits back a song that hits modern loudness standards and is punched up with additional clarity, EQ, stereo width, and dynamics processing.

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No more Taylor Swift on TikTok after negotiations with label break down

No more Taylor Swift on TikTok after negotiations with label break down

Enlarge

Universal Music is set to pull its songs from TikTok after a breakdown in negotiations over payment, which would remove the social media platform’s access to music from stars such as Taylor Swift, The Weeknd, and Drake.

Universal, the industry giant that controls a third of the world’s music, has been in tense negotiations with Beijing-based TikTok for the past year, according to people familiar with the matter.

Universal on Tuesday accused TikTok of “bullying” and said the company wanted to pay a “fraction” of the rate that other social media sites pay for access to its music catalog. As a result, Universal said it would stop licensing its content to TikTok when its contract expires on January 31.

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Masters of the Air: Imagine a bunch of people throwing up, including me

Photograph showing two stars of the show standing in front of a B-17

Enlarge / Our two main heroes so far, Buck and Bucky. Or possibly Bucky and Buck. I forget which is which. (credit: Apple)

I'm writing this article under duress because it's not going to create anything new or try to make the world a better place—instead, I'm going to do the thing where a critic tears down the work of others rather than offering up their own creation to balance the scales. So here we go: I didn't like the first two episodes of Masters of the Air, and I don't think I'll be back for episode three.

The feeling that the show might not turn out to be what I was hoping for has been growing in my dark heart since catching the first trailer a month or so ago—it looked both distressingly digital and also maunderingly maudlin, with Austin Butler's color-graded babyface peering out through a hazy, desaturated cloud of cigarette smoke and 1940s World War II pilot tropes. Unfortunately, the show at release made me feel exactly how I feared it might—rather than recapturing the magic of Band of Brothers or the horror of The Pacific, Masters so far has the depth and maturity of a Call of Duty cutscene.

World War Blech

After two episodes, I feel I've seen everything Masters has to offer: a dead-serious window into the world of B-17 Flying Fortress pilots, wholly lacking any irony or sense of self-awareness. There's no winking and nodding to the audience, no joking around, no historic interviews with salt-and-pepper veterans to humanize the cast. The only thing allowed here is wall-to-wall jingoistic patriotism—the kind where there's no room for anything except God, the United States of America, and bombing the crap out of the enemy. And pining wistfully for that special girl waiting at home.

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Our fave bureaucratic villain is back in Ghostbusters: Frozen Empire trailer

There's plenty of old familiar faces in the latest trailer for Ghostbusters: Frozen Empire.

Every good comedy needs a villain audiences love to hate, and the original 1984 Ghostbusters gave us William Atherton's sneering, nosy-parker EPA inspector, Walter Peck. That film turns 40 this year, so it's fitting that Sony is releasing Ghostbusters: Frozen Empire, its latest sequel, in March, a follow-up to 2021's Ghostbusters: Afterlife. We're getting even more of Bill Murray, Dan Ackroyd, and Ernie Hudson this time around, along with the welcome return of Janine Melnitz (Annie Potts) as well as Peck.

(Some spoilers for Ghostbusters: Afterlife below.)

As we previously reported, Afterlife introduced us to a new generation of ghostbusters descended from Egon Spengler (the late Harold Ramis)—namely, the science-loving Phoebe (McKenna Grace) and her mechanically inclined brother Trevor (Finn Wolfhard). Mom Callie (Carrie Coon), aka Egon's daughter, moved the family out to Oklahoma when she inherited Egon's old house. The kids discovered their grandfather's old ghost-busting gear just in time to battle the attempted return of none other than Gozer the Gozerian from the original film. Afterlife grossed over $200 million at the box office against its $75 million production budget. Sony announced the sequel the following spring, with a script by Jason Reitman and Gil Kenan. Kenan would eventually replace Reitman as director. Per the official premise:

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Dungeons & Dragons turns 50 this year, and there’s a lot planned for it

The three rulebooks for "fantastic medieval wargames" that started it all, released at some point in late January 1974, as seen in <a href="https://bookshop.org/p/books/dungeons-dragons-art-arcana-a-visual-history-sam-witwer/7280339"><em>Dungeons & Dragons Art & Arcana: A Visual History</em></a>.

Enlarge / The three rulebooks for "fantastic medieval wargames" that started it all, released at some point in late January 1974, as seen in Dungeons & Dragons Art & Arcana: A Visual History. (credit: Wizards of the Coast/Ten Speed Press)

"We have just fromed [sic] Tactical Studies Rules, and we wish to let the wargaming community know that a new line of miniature rules is available."

With this letter, written by Gary Gygax to wargaming zine publisher Jim Lurvey, one of the founders of what would become TSR, announced that a January 1974 release for Dungeons & Dragons was forthcoming. This, plus other evidence compiled by Jon Peterson (as pointed out by the Grognardia blog), points to the last Sunday of January 1974 as the best date for the "anniversary" of D&D. The first sale was in "late January 1974," Gygax later wrote, and on the last Sunday of January 1974, Gygax invited potential customers to drop by his house in the afternoon to try it out.

You could argue whether a final draft, printing, announcement, sale, or first session counts as the true "birth" of D&D, but we have to go with something, and Peterson's reasoning seems fairly sound. Gygax's memory, and a documented session at his own house, are a good point to pin down the celebration of this thing that has shaped a seemingly infinite number of other things.

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Urban agriculture’s carbon footprint can be worse than that of large farms

Lots of plants in the foreground, and dense urban buildings in the background

Enlarge (credit: Bruce Yuanyue Bi)

A few years back, the Internet was abuzz with the idea of vertical farms running down the sides of urban towers, with the idea that growing crops where they're actually consumed could eliminate the carbon emissions involved with shipping plant products long distances. But lifecycle analysis of those systems, which require a lot of infrastructure and energy, suggest they'd have a hard time doing better than more traditional agriculture.

But those systems represent only a small fraction of urban agriculture as it's practiced. Most urban farming is a mix of local cooperative gardens and small-scale farms located within cities. And a lot less is known about the carbon footprint of this sort of farming. Now, a large international collaboration has worked with a number of these farms to get a handle on their emissions in order to compare those to large-scale agriculture.

The results suggest it's possible that urban farming can have a lower impact. But it requires choosing the right crops and a long-term commitment to sustainability.

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Avatar: The Last Airbender trailer has the element-bending action we crave

The Netflix live-action series Avatar: The Last Airbender will hit Netflix on February 22, 2024.

You know the premiere date for Netflix's live-action adaptation, Avatar: The Last Airbender, is drawing nigh because the streaming giant just released an official trailer featuring moments drawn from the original anime series and lots of snazzy element-bending action, plus several adorable shots of Appa. We have high hopes for this series.

As we reported previously, the original anime series was created by Michael Dante DiMartino and Bryan Konietzko. It was set in an Asian-inspired world where certain chosen individuals have the ability to telekinetically manipulate one of four elements (earth, air, water, and fire)—a practice known as "bending." Each generation, there is one Avatar who can bend all four elements and is thus responsible for maintaining harmony among the four elemental nations, as well as serving as a link between the physical and spirit worlds.

A 12-year-old Air Nomad boy named Aang is the current Avatar, but he hid in a state of suspended animation for a century because he was afraid of taking on that huge responsibility. Two Water Tribe siblings, Katara and Sokka, eventually revive Aang, who finds that the Fire Nation has wiped out most of the Air Nomads in his absence. Katara and Sokka join Aang, an airbender, on his quest to master bending each of the remaining three elements. Their mission is hampered by the banished Fire Nation Prince Zuko, who seeks to capture Aang to restore his honor with his father, Fire Lord Ozai, with the help of his uncle Iroh.

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Netflix will stream WWE Raw in $5 billion deal

Wrestlers in Brooklyn, NY

Enlarge / Santos Escobar and Joaquin Wilde at WWE Smackdown held at Barclay's Center on December 1, 2023, in Brooklyn, New York. (credit: Sportico via Getty)

Netflix has agreed to a $5 billion deal to screen World Wrestling Entertainment’s flagship Raw program over the next decade, in the group’s biggest foray so far into streaming live events.

The streaming service is betting that screening three live programs a week will allow it to capture the large and loyal fan base for a show that helped launch the careers of Dwayne “The Rock” Johnson, John Cena, and “Stone Cold” Steve Austin.

The deal, which starts in January 2025, will significantly expand Netflix’s use of the technology that is required to broadcast live sporting events.

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Netflix won’t have a Vision Pro app, compromising the device’s appeal

Vision Pro will allow users to watch movies on a virtual TV set.

Enlarge / Vision Pro will allow users to watch movies on a virtual TV set. (credit: Apple)

In the leadup to Vision Pro preorders tomorrow, Apple has seemingly been prioritizing the message that the device will be an ideal way to watch movies and TV shows. In many ways, that might be true, but there's one major caveat: Netflix.

In a statement reported by Bloomberg today, Netflix revealed that it does not plan to offer an app for Vision Pro. Instead, users will have to use a web-based interface to watch the streaming service. Additionally, it was later revealed that Spotify and YouTube will also lack Vision Pro apps.

Netflix compares the experience to the Mac, but there are a few reasons this won't be an ideal experience for users. First, the iPad and iPhone mobile apps support offline viewing of downloaded videos. That's particularly handy for when you're flying, which is arguably one of the best use cases for Vision Pro.

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You had us at “friendly alien space spider”: Netflix drops Spaceman trailer

Adam Sandler stars as a lonely astronaut on a solo mission who befriends an alien spider in Spaceman.

Some people were not pleased when Netflix and other streaming platforms began making feature films. But in an industry in which smaller or medium films tend to be squeezed out in favor of big-budget fare, there's a solid argument to be made that Netflix and others could help fill that niche. That certainly seems to be the case with Netflix's forthcoming sci-fi film, Spaceman, judging by the official trailer. Adam Sandler stars as an astronaut who is not coping well with the isolation and disintegration of his marriage while on an eight-month solo mission and strikes up a friendship with a friendly alien space spider who wants to help him work through his emotional distress. Honestly, Netflix had us at friendly alien space spider.

(Some spoilers for the 2017 novel below.)

Directed by Johan Renck (Chernobyl, Breaking Bad), the film is based on the 2017 novel, Spaceman of Bohemia, by Jaroslav Kalfař. Kalfař has said he was inspired to write his novel after a childhood experience of becoming briefly separated from his grandfather while on a nighttime walk through the woods. The "perfect darkness, with nothing but the stars" made a strong impression, as did the silence and sense of loneliness. Spaceman of Bohemia started as a short story about an astronaut stranded in orbit as his wife filed for divorce and eventually became a novel that incorporated not just the theme of loneliness, but also Kalfař's formative experiences growing up in the Czech Republic.

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I found David Lynch’s lost Dune II script

Par : WIRED
Kyle MacLachlan in Dune

Enlarge / Kyle MacLachlan in Dune, 1984. (credit: Everett)

David Lynch’s 1984 sci-fi epic Dune is—in many ways—a misbegotten botch job. Still, as with more than a few ineffectively ambitious films before it, the artistic flourishes Lynch grafted onto Frank Herbert’s sprawling Machiavellian narrative of warring space dynasties have earned it true cult classic status. Today, fans of the film, which earned a paltry $30 million at the box office and truly bruising reviews upon its release, still wonder what Lynch would have done if given the opportunity to adapt the next two novels in Herbert’s cycle: Dune Messiah and Children of Dune.

Franchising was the plan before the first film crashed and burned, with Lynch and star Kyle MacLachlan (playing Paul Atreides) set to shoot both Dune sequels back-to-back in 1986. Miniature spaceship models, costumes, and props from the first film were placed in storage by producer Dino De Laurentiis for use on these follow-ups, while the director hammered away on a Dune II script. “I wrote half a script for the second Dune. I really got into it because it wasn’t a big story,” he says in Lynch on Lynch, “more like a neighborhood story. It had some really cool things in it.”

During the two years I spent putting together my book A Masterpiece in Disarray: David Lynch’s Dune—An Oral History, I had no luck uncovering Lynch's script for Dune II, despite Frank Herbert telling Prevue magazine in December 1984 that he possessed a copy and was advising Lynch on it. “Now that we speak the same ‘language,’ it’s much easier for both of us to make progress, especially with the screenplays,” Herbert told the publication. Then, in July 2023, within the Frank Herbert archives at California State University, Fullerton, I came across a slim folder with a sticky note declaring “Dune Messiah script revisions,” addressed to the second floor of VFX man Barry Nolan’s office in Burbank where Lynch supervised the final effects shoots and editing on Dune.

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Full trailer for 3 Body Problem captures epic scope of Liu Cixin’s novel

Netflix will debut its new sci-fi series 3 Body Problem in March, based on the award-winning novel by Liu Cixin.

Netflix debuted the official full trailer for 3 Body Problem at CES in Las Vegas today, an eight-episode sci-fi series adapted from the award-winning novel The Three-Body Problem by Liu Cixin, the first book in his Remembrance of Earth's Past trilogy. The series was created by David Benioff, D.B. Weiss (Game of Thrones), and Alexander Woo (True Blood). CES attendees also had the opportunity to participate in a 3 Body Problem "immersive experience," intended to transport them "into the mysterious world of the series in a fun and experimental way."

(Some spoilers for the novel below.)

The novel began as serialized fiction in Science Fiction World in 2006 and received the Galaxy (Yinhe) Award for Chinese science fiction that same year. Liu published it as a standalone book in 2008. But it was Ken Liu's 2014 English translation for Tor Books—complete with informative footnotes to acquaint Western readers with the many references to Chinese history, particularly the Cultural Revolution—that rocketed The Three-Body Problem to international acclaim. Liu is also the author of two follow-up novels to complete the trilogy (The Dark Forest and Death's End), as well as The Wandering Earth—adapted into film in 2019—and Ball Lightning.

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It’s rebels vs. Imperialist forces in Rebel Moon Part 2: The Scargiver trailer

Prepare yourself for Zack Snyder's Rebel Moon Part 2: The Scargiver.

Zack Snyder's Rebel Moon Part 1: Child of Fire racked up an impressive 63 million views over its first 10 days on Netflix despite decidedly negative critical reviews. Now we've got the first full trailer for Rebel Moon Part 2: The Scargiver, continuing the saga of our intrepid heroine Kora (Sofia Boutella) and her plucky band of allies as they take on the imperialist Motherworld.

(Spoilers for Part 1 below.)

As we reported previously, years ago, director Zack Snyder had an idea for an epic Star Wars movie that he pitched to Lucasfilm. That project never panned out for a variety of reasons. But the idea continued to germinate until Netflix got on board. Apart from Star Wars, Snyder has said his influences include the films of Akira Kurosawa, especially Seven Samurai, and The Dirty Dozen. He has set his epic saga in a universe controlled by the ruthless and corrupt government of the Motherworld (the Imperium) with an army led by one Regent Balisarius (Fra Fee). The rebel moon of the title is called Veldt.

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This bird is like a GPS for honey

A bird perched on a wall in front of an urban backdrop.

Enlarge / A greater honeyguide (credit: Keabetswe Maposa)

With all the technological advances humans have made, it may seem like we’ve lost touch with nature—but not all of us have. People in some parts of Africa use a guide more effective than any GPS system when it comes to finding beeswax and honey. This is not a gizmo, but a bird.

The Greater Honeyguide (highly appropriate name), Indicator indicator (even more appropriate scientific name), knows where all the beehives are because it eats beeswax. The Hadza people of Tanzania and Yao people of Mozambique realized this long ago. Hadza and Yao honey hunters have formed a unique relationship with this bird species by making distinct calls, and the honeyguide reciprocates with its own calls, leading them to a hive.

Because the Hadza and Yao calls differ, zoologist Claire Spottiswoode of the University of Cambridge and anthropologist Brian Wood of UCLA wanted to find out if the birds respond generically to human calls, or are attuned to their local humans. They found that the birds are much more likely to respond to a local call, meaning that they have learned to recognize that call.

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TV Technica 2023: These were our favorite shows and binges of the year

TV Technica 2023: These were our favorite shows and binges of the year

Enlarge (credit: Aurich Lawson | Getty Images)

Warning: Although we’ve done our best to avoid spoiling anything major, please note this list does include a few specific references to several of the listed shows that some might consider spoiler-y. The segment for The Great contains major reveals, so skip it if you haven't watched the latest season. (We'll give you a heads-up when we get there.)

Everything was coming up mystery in 2023, judging by our picks for Ars Technica's annual list of the best TV shows of the year. There's just something about the basic framework that seems to lend itself to television. Showrunners and studios have clearly concluded that genre mashups with a mystery at the center is a reliable winning formula, whether it's combined with science fiction (Silo, Bodies, Pluto), horror (Fall of the House of Usher), or comedy (Only Murders in the Building, The Afterparty). And there's clearly still plenty of room in the market for the classic police procedural (Dark Winds, Poker Face, Justified: City Primeval). Even many shows we loved that were not overt nods to the genre still had some kind of mystery at their core (Yellowjackets, Mrs. Davis), so one could argue it's almost a universal narrative framework.

Streaming platforms continue to lead, with Netflix, Apple TV+, and FX/Hulu dominating this year's list. But there are signs that the never-ending feast of new fare we've enjoyed for several years now might be leveling off a bit, as the Hollywood strikes took their toll and the inevitable reshuffling and consolidation continues. That would be great news for budgets strained by subscribing to multiple platforms, less so for those who have savored the explosion of sheer creativity during what might be remembered as a Golden Age of narrative storytelling on TV.

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It’s “shakeout” time as losses of Netflix rivals top $5 billion

An NBC peacock logo is on the loose and hiding behind the corner of a brick building.

Enlarge (credit: Aurich Lawson / Getty Images)

The world’s largest traditional entertainment companies face a reckoning in 2024 after losing more than $5 billion in the past year from the streaming services they built to compete with Netflix.

Disney, Warner Bros Discovery, Comcast and Paramount—US entertainment conglomerates that have been growing ever larger for decades—are facing pressure to shrink or sell legacy businesses, scale back production and slash costs following billions in losses from their digital platforms.

Shari Redstone, Paramount’s billionaire controlling shareholder, has effectively put the company on the block in recent weeks. She has held talks about selling the Hollywood studio to Skydance, the production company behind Top Gun: Maverick, people familiar with the matter say.

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You’ll be paying extra for ad-free Prime Video come January

screenshot of Prime Video homepage with logo to the left

Enlarge (credit: Amazon Prime Video)

Amazon confirmed today in an email to Prime members that it will begin showing ads alongside its streaming Prime Video content starting January 29, 2024. The price will remain the same, but subscribers who don't wish to see any ads will have to pay an additional $2.99 per month on top of their monthly or yearly Amazon Prime subscription. The change was first reported back in September.

"Starting January 29, Prime Video movies and TV shows will include limited advertisements," Amazon wrote in an email sent to Amazon Prime subscribers. "This will allow us to continue investing in compelling content and keep increasing that investment over a long period of time. We aim to have meaningfully fewer ads than linear TV and other streaming TV providers. No action is required from you, and there is no change to the current price of your Prime membership."

Subscribers who want to avoid ads can sign up for the extra monthly fee at the Prime Video website.

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Film Technica: Our favorite movies of 2023

Film Technica: Our favorite movies of 2023

Enlarge (credit: Aurich Lawson | Getty Images)

Warning: Although we’ve done our best to avoid spoiling anything too major, please note this list does include a few specific references to several of the listed films that some might consider spoiler-y.

It's been an odd couple of years for film as the industry struggles to regain its footing in the wake of a devastating global pandemic, but there are reasons to be optimistic about its future, both from a box office and variety standpoint. This was the year that the blockbuster superhero franchises that have dominated for more than a decade finally showed signs of faltering; the Marvel and DC Universe releases this year were mostly fine, but only one (Spider-Man: Across the Spider-Verse) made our 2023 year-end list. There were just so many of them, one after the other, adding up to serious superhero fatigue.

We still love our blockbusters, of course. This was also the summer of "Barbenheimer," as audiences flocked to theaters for the unlikely pairing of Barbie and Oppenheimer, breaking a few box office records in the process. It was also a good year for smaller niche fare—including two re-imaginings of Mary Shelley's Frankenstein—as well as a new film from the legendary Martin Scorsese (Killers of the Flower Moon).

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PAX Unplugged 2023: How indie devs build and sell board games and RPGs

Corporate Vampire testing pitch at PAX Unplugged 2023

Enlarge / Given only this sign, and a glimpse of some pieces, a constant stream of playtesters stopped by to check out what was then called Corporate Vampire. (credit: Kevin Purdy)

“You don’t want Frenzy. Frenzy is a bad thing. It might seem like it’s good, but trust me, you want to have a blood supply. Frenzy leads to Consequences.”

It’s mid-afternoon in early December in downtown Philadelphia’s Pennsylvania Convention Center, and I’m in the Unpub room at PAX Unplugged. Michael Schofield and Tim Broadwater of Design Thinking Games have booked one of the dozens of long card tables to show their game Corporate Vampire to anybody who wants to try it. Broadwater is running the game and explaining the big concepts while Schofield takes notes. Their hope is that after six revisions and 12 smaller iterations, their game is past the point where someone can break it. But they have to test that disheartening possibility in public.

I didn’t expect to spend so much of my first PAX Unplugged hanging around indie game makers. But with the tabletop industry expanding after some massive boom years, some Stranger Things and Critical Role infusions, and, of course, new COVID-borne habits, it felt like a field that was both more open to outsiders than before and also very crowded. I wanted to see what this thing, so big it barely fit inside a massive conference center, felt like at the smaller tables, to those still navigating their way into the industry.

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Debt-laden Warner Bros. Discovery and Paramount consider merger

Game of Thrones

Enlarge / Media firms are looking for allies to help them take the coveted media throne. (credit: Warner Bros. Discovery)

The CEOs of Warner Bros. Discovery (WBD) and Paramount Global discussed a potential merger on Tuesday, according to a report from Axios citing "multiple" anonymous sources. No formal talks are underway yet, according to The Wall Street Journal. But the discussions look like the start of consolidation discussions for the media industry during a tumultuous time of forced evolution.

On Wednesday, Axios reported that WBD head David Zaslav and Paramount head Bob Bakish met in Paramount's New York City headquarters for "several hours."

Zaslav and Shari Redstone, owner of Paramount's parent company National Amusements Inc (NAI), have also spoken, Axios claimed.

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Restored 478-key, 31-tone Moog synthesizer from 1968 sounds beautifully bizarre

Shadowed photo of the Moog-Rothenberg keyboard

Enlarge (credit: Ryan Young/Cornell University)

Mathematician and early AI theorist David Rothenberg was fascinated by pattern-recognition algorithms. By 1968, he'd already done lots of work in missile trajectories (as one did back then), speech, and accounting, but he had another esoteric area he wanted to explore: the harmonic scale, as heard by humans. With enough circuits and keys, you could carve up the traditional music octave from 12 tones into 31 and make all kinds of between-tone tunes.

Happily, he had money from the Air Force Office of Scientific Research, and he also knew just the person to build this theoretical keyboard: Robert Moog, a recent graduate from Cornell University in Ithaca, New York, who was just starting to work toward a fully realized Moog Music.

The plans called for a 478-key keyboard, an analog synthesizer, a bank of oscillators, and an impossibly intricate series of circuits between them. Moog "took his time on this," according to Travis Johns, instructional technologist at Cornell. He eventually delivers a one-octave prototype made from "1960s-era, World-War-II-surplus technology." Rothenberg held onto the keyboard piece, hoping to one day finish it, until his death in 2018. His widow, Suhasini Sankaran, donated the kit to Cornell in 2022.

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Netflix finally reveals viewing data across its entire catalog

A person's hand holding a remote control in front of a TV screen with a Netflix logo.

Enlarge (credit: Getty Images | NurPhoto )

Netflix, the streaming service that has been long criticized for a lack of transparency about how shows and films perform on its platform, will begin publishing a “comprehensive deep dive” into what its subscribers are watching twice a year.

Its first report, released on Tuesday, provided viewer data on more than 18,000 titles, representing a total of nearly 100 billion hours viewed, Netflix said. The Night Agent, a political thriller, was the most watched show on Netflix globally in the first half of 2023, with 812 million hours.

Ted Sarandos, Netflix co-chief executive, acknowledged on Tuesday that the company’s “lack of data and lack of transparency” had created an “environment of mistrust” in Hollywood.

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The future of Arrakis is at stake in latest trailer for Dune: Part Two

Dune: Part Two is the next chapter in director Denis Villeneuve's adaptation of Frank Herbert’s celebrated novel.

We didn't get to see Dune: Part Two—the second film in director Denis Villeneuve's stunning adaptation of Frank Herbert's sci-fi classic—last month as originally planned since the film's November release was delayed until next March due to the Hollywood strikes. But Warner Bros. doesn't want us to completely forget about Dune in the meantime, so it dropped another trailer for the holiday season.

(Spoilers for Dune: Part One below.)

As reported previously (also here and here), Herbert's novel Dune is set in the distant future and follows the fortunes of various noble houses in what amounts to a feudal interstellar society. Much of the action takes place on the planet Arrakis, where the economy is driven largely by a rare, life-extending drug called melange ("the spice"). Melange also conveys a kind of prescience and makes faster-than-light travel practical. There's betrayal, a prophecy concerning a messianic figure, giant sandworms, and battle upon battle as protagonist Paul Atreides (Timothée Chalamet) contends with rival House Harkonnen and strives to defeat the forces of Shaddam IV, Emperor of the Known Universe.

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A locally grown solution for period poverty

Image of rows of succulents with long spiky leaves and large flower stalks.

Enlarge / Sisal is an invasive species that is also grown agriculturally. (credit: Chris Hellier)

Women and girls across much of the developing world lack access to menstrual products. This means that for at least a week or so every month, many girls don’t go to school, so they fall behind educationally and often never catch up economically. 

Many conventional menstrual products have traditionally been made of hydrogels made from toxic petrochemicals, so there has been a push to make them out of biomaterials. But this usually means cellulose from wood, which is in high demand for other purposes and isn’t readily available in many parts of the globe. So Alex Odundo found a way to solve both of these problems: making maxi pads out of sisal, a drought-tolerant agave plant that grows readily in semi-arid climates like his native Kenya.

Putting an invasive species to work

Sisal is an invasive plant in rural Kenya, where it is often planted as livestock fencing and feedstock. It doesn’t require fertilizer, and its leaves can be harvested all year long over a five- to seven-year span. Odundo and his partners in Manu Prakash’s lab at Stanford University developed a process to generate soft, absorbent material from the sisal leaves. It relies on treatment with dilute peroxyformic acid (1 percent) to increase its porosity, followed by washing in sodium hydroxide (4 percent) and then spinning in a tabletop blender to enhance porosity and make it softer. 

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PlayStation is erasing 1,318 seasons of Discovery shows from customer libraries

mythbusters

Enlarge / Myth: You own the digital content you buy. (credit: MythBusters/YouTube)

If you purchased any Discovery shows from the PlayStation Store, Sony has some bad news for you to discover.

The company recently announced that all Discovery content purchased on the PlayStation Store will be erased before 2024. The brief notice, signed by the PlayStation Store, says:

As of 31 December 2023, due to our content licensing arrangements with content providers, you will no longer be able to watch any of your previously purchased Discovery content and the content will be removed from your video library.

We sincerely thank you for your continued support.

PlayStation Network started selling TV shows and movies with 2008's PlayStation 3, and at the time you were allowed to transfer content to different Sony devices, Kotaku noted. That feature went away with the PlayStation 4. With the growth of streaming TV apps, many of which could be accessed through a PlayStation, the PlayStation Store stopped selling movies and TV shows in 2021.

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Two Titans team up to defeat a new foe in Godzilla x Kong: The New Empire trailer

Warner Bros. debuted the official trailer for the latest film in its Monsterverse saga: Godzilla x Kong: The New Empire.

Legendary Entertainment's MonsterVerse brought Godzilla, King Kong, and various other monsters (kaiju) created by Toho Co., Ltd into the same fold. There have been four feature films, plus the animated series Skull Island, which debuted on Netflix earlier this year, and Apple TV+'s Monarch: Legacy of Monsters, which debuted last month and picked up where the 2014 film Godzilla left off. (The season finale will air on January 12, 2024.) And now we have the official trailer for the next film installment—Godzilla x Kong: The New Empire—unveiled during CCXP in Sao Paulo, Brazil, over the weekend.

(Spoilers for Godzilla vs. Kong below.)

Directed by Adam Wingard, Godzilla x Kong picks up sometime after its 2021 predecessor. Godzilla vs. Kong showcased not only a major showdown between its titular titans—in which Godzilla emerged the victor—but also the two teaming up in the climactic finale to take out Mechagodzilla, a telepathically controlled creature with the severed head of Ghidorah. Ghidorah's consciousness took over when Mechagodzilla was activated, and it took both Kong and Godzilla (plus some timely help from humans) to defeat him. (Kong got the final honors, although Godzilla charged the killing ax—made from one of his dorsal plates—with his atomic breath.)

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